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whalerider05_rap reply to zoe & kia: treehuggersgreenies



From: "zoe & kia" <tree_huggers_greenies@hotmail.com> Date: Fri, 10 Jun 2005 11:52:12 +1000 Sender: owner-whalerider05_rap@ituws1.itbcorpweb.det.nsw.edu.au

Hi there tree-huggers- greenies (I like your name!),

1. How long does your research take in making a film?

Always much, much longer than I'm ever paid for! I say to my students that they can't do too much research. But there also comes a time when you have to stop researching and get on with the making.

I happen to love research – it's what makes sure the film (or book, or lecture) is as true to reality as it can be and also makes sure that audiences can trust what you've done. I think audiences deserve the best that a filmmaker can provide and you need research to do this.

There's almost no aspect of filmmaking that doesn't need research. This is true for both documentary and drama.

When you're making a film you usually leave the most time for 'development' and 'pre-production' which is when the research all takes place. The 'production' (shoot) and the 'post-production' (editing) periods take about half the amount of time - and the shoot the least time of all.

2. Do you get frustrated with trying to express your techniques?

This is an interesting question – I've never thought about it before.  I think that like most filmmakers (and writers) I try to keep my options open. So I might film a scene in several different ways, or write the same paragraph in two or three slightly different ways. Then, when it comes to editing, I have several different options to express what I want to say and I chose the best.  I always advise my students to show their films (or essays) to other people before they've completely finished and get feedback. This is VERY important in filmmaking – during the editing process, the various different 'cuts' (similar to drafts of a written piece) should always be shown to a group of people who don't know the story to see if the film makes sense to them. The filmmakers can be too close to really tell.

3. How much time goes into creating techniques?

Before a shoot, that is in the pre-production period, many filmmakers will do what's called a "technical recce" (recce stands for 'reconnaissance) to try out the technology or a technique and find out in advance if it works. You usually don't have time during the shoot.  And creating editing techniques is often what takes the most time during post-production. Filmmakers also go and see lost of movies to get new ideas and then adapt them to their own needs.

I sometimes find it incredible just how much time it  takes to make a film – even a short one.

4. What was your biggest difficulty in Whale Rider?

My biggest difficulty was, I think, with the actors. I thought Keisha Castle-Hughes and Rawiri Paratene were so much better than everyone else that the others seemed a bit wooden at times. I also thought that the constructed whales looked very constructed – obviously the result of a very low budget. It makes me think while I am watching it that if only a tiny bit of the huge budget of Lord Of the Rings could have been added to the budget of Whale Rider it would have helped Niki Caro make a slightly better-looking film. And, of course, while I am thinking this, I drop out of being involved in the narrative, or story, of the film. But not for long.  I still love the film. My favourite part in when Pai is singing her song for Koro and he isn’t there. I cry everytime – and I must have seen this film at list 6 times!

Hope this was helpful - I enjoyed your questions.

Best wishes,

Jane

Jane Mills
Associate Research Fellow: Australian Film, Television & Radio School;
Series Editor, Australian Screen Classics (Currency Press/ScreenSound).
27 Dudley Street, Bondi, NSW 2026.
Tel: (61) 02 9300 8836
jane.mills1@bigpond.com

 
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